ICP Presents New Exhibit, “But Still, It Turns”

Curran Hatleberg, Lost Coast (8), 2014

Curran Hatleberg, Lost Coast (8), 2014

The International Center for Photography (ICP) is celebrating their one year anniversary in their new home on Essex Street with a new exhibition of “post-documentary” style photos from around the world.  ICP was forced to shut it’s doors last March, due to the pandemic, and offered virtual programming only for six months. They re-opened in hybrid form this past October.

Gregory Halpern, Untitled, 2016

Gregory Halpern, Untitled, 2016

The new exhibit, titled, But Still, It Turns: Recent Photography from the World, opens on February 4, 2012 and is curated by photographer Paul Graham. It brings together nine photographers and their recent photo projects. They write, “Extending the tradition of Robert Frank, Walker Evans, Gordon Parks, and Diane Arbus, this work fits a notion of “photography from the world”—photography that resists both narrative arcs and the drama of photojournalism or staged photography, grappling instead with the world as it is, in all its ambiguity and wonder.”   

RaMell Ross, Here, 2013

RaMell Ross, Here, 2013

The featured projects on view include:  

  • Vanessa Winship’s peripatetic vision in she dances on Jackson, which presents a conversation between landscape and portrait, exploring the vastness of the United States and the inextricable link between a territory and its inhabitants.
  • Curran Hatleberg’s gatherings of humankind in Lost Coast’s intimate portraits and episodic narratives that reconstruct a sense of place and community through a shifting cast of characters and scenery.
  • Richard Choi’s What Remains, which pairs video and still photographs to offer a meditation on the stream of life and its expression as a single image, between film and photography, between life and our memory of it.
  • RaMell Ross’s South County, AL (a Hale County), which presents images that center on the rhythms and flow of Black lives, embracing quiet spaces and quotidian moments where people are pictured away from the burden of representation, granting them dignity of selfhood. The exhibition also includes screenings of his Academy Award–nominated documentary Hale County This Morning, This Evening (2018).
  • Gregory Halpern takes viewers on an enigmatic journey westward, across the desert and through the city of Los Angeles, ending at the Pacific Ocean in ZZYZX, where everything unfolds into a kind of rapture—simultaneously psychedelic, self-destructive, and sublime.
  • Piergiorgio Casotti and Emanuele Brutti’s collaborative Index G examines the city of Saint Louis through its streets, homes, and people, demonstrating how inequality is revealed through profound differences in local businesses or living conditions, as well as seemingly arbitrary details within urban surroundings.
  • Kristine PotterManifest, which combines the genres of landscape and portrait photography to re-examine the canon of traditional western landscape photography, and in so doing uncovers a world far more formidable and disorienting than previously detailed.
  • Stanley Wolukau-Wanambwa’s All My Gone Life, which braids contemporary images made by the artist across the United States with archival negatives; together they ask how the image, and the imagination, might play into the elaboration of a future in which vision and delusion so frequently overlap. 

Timed tickets are available by reservation only.  The museum will be open Thursday through Sunday from 11am – 7pm.