Jessica Almasy, Erin Markey, and Kristine Haruna Lee in “War Lesbian.” Photo Credit: Sasha Aleksandra Arutyunova
It took almost an hour to see any war in the harunalee company’s new musical, War Lesbians, at Dixon Place last Friday night. And by that time, I wasn’t sure what the battle was for. Our heroine, Sedna (Erin Markey), born out of a ‘thought’ of her mother, Womb (Jessica Almasy), yearns to break out of the ‘hole’ she is in, so to speak, and when she does get out, finds herself, well, miserable in the real world.
After losing her fingers to her bear of a father Mitch (Derek Smith) — this was no virginal birth — who chops them off when he expels her from her womb-ly home after he discovers that the son he thought he had is a girl, our heroine sets out on a Wizard of Oz like journey to find her place in the world. The story, written by Kristing Haruna Lee with music by Katie Hathaway, is based on an Inuit myth about a woman who is rejected from her family for being different and embarks on a journey, creating wars with others and within herself.
Along the way we meet a funny cast of characters that include a guitar strumming Moon God, Tatqim (Andrew R. Butler), and a cynical Beached Whale (Amir Wachterman) who act as Sedna’s guides, as she, battles with her demons — while wearing boxer-like bandages over her fingerless hands. Her fingers become squirmy pet seals who follow her around, getting into trouble if they are not walked daily. The Lesbian comes in the form of empathetic girlfriend, Qualertetang (Cyndi Perczek), who likes Sedna just the way she is—digitless hands and all.
The whole show is presided over by Ellen. Yes, that Ellen, portrayed energetically by Kristine Haruna Lee. The original music by Kathryn Hathaway performed live by a trio of musicians ( Julie Pacheco, Sophia Sun and David Su) and accompanied by a Greek chorus of Beautiful Hand Maidens (Stephanie A. Hsu & Preston Martin) adds a nice, eerily melodic soundtrack to Sedna’s life. And our heroine? Does she win her war? Let’s just say…there is no place like womb.
Presented by Dixon Place. (161A Chrystie St.) Featuring Erin Markey, Director Jordon Fein, Playwright Kristine Haruna Lee and Composer Katie Hathaway. Fridays and Saturdays through December 20th at 7:30PM, December 20th also at 10:00PM. Tickets are $16 in advance, $18 at the door, and $12 for seniors and students. Tickets can be purchased by visiting www.dixonplace.org.
Along with the NY Fringe Festival, it’s nice to know there’s still some theater to be found in the “dog days” of August here on the L.E.S.
The New York International Fringe Fest (FringeNYC) kicks off their 17th season tomorrow. The legendary theater fest that turned in to one of the largest multi-arts events in North America offers a lineup includes more than 200 companies from all over the world performing for 16 days in more than 20 venues.
Tom Murrin Blue Glitter Dress. Photo: Jim Moore
If you recall, I wrote about the untimely passing of Tom Murrin, aka the Alien Comic, here on The Lo-down last March. Thankfully, his spirit lives on (not that it’s been forgotten) in PS 122’s Avant-Garde-Arama: New Moon tribute at Abrons Arts Center this weekend.
Tom was ‘avant-garde’ way before PS 122 popularized the phrase in its long running variety show. He was a first generation La MaMa playwright in the ’60s, penning plays with titles like “Cockstrong” and “Butt Crack Bingo.” In the ’70s and early ’80s he performed as “Tom ‘Trash’ Murrin” (often on the street for unsuspecting passers-by). Props were his thing—Tom could animate any object — hence the “trash” moniker. From this, the Alien Comic was born and soon Tom was performing his hilarious antics around town, including at many long lost East Village rock clubs and venues such as CBGBs, Max’s Kansas City, 8BC, and King Tut’s Wah Wah Hut. Ah, the good old days when a night out meant more than just a fancy meal and specialty cocktail.
The Perils of Obedience at Abrons Art Center.
The Lower East Side has long been a breeding ground for hopeful artists and dreamers. Now, Itziar Barrio’s The Perils of Obedience, at Abrons Art Center this past weekend, brilliantly harnessed that drive and made it into a fascinating performance. Following an open call held at the Henry Street Settlement, selected actors auditioned for four days with theater director Nigel Smith. The surviving seven actors performed their last two days of callbacks in front of a live audience. The entire process was recorded and will be included in a resulting video piece, in which the final four actors will also star.
Mike Daisey courtesy mikedaisey.blogspot.com
If you can make it to Joe’s Pub tonight, it will be worth the last minute trip. Mike Daisey is bringing his latest work to the intimate space, and it is the perfect setting to watch this masterful raconteur perform his monologues.
Tonight Daisey takes us through his unforgettable five-city tour of India in Five Technical Rehearsals in India. Leave it to Daisey to turn his experience living through five disastrous technical rehearsals in five different theaters across India, plus his journeys through the slums of Calcutta, India’s high-tech call centers, and Bollywood prop shops and curry houses, and time spent dealing with the political machinery of the American consulate into a story about the “illusion and enduring power of theatrical performance.”
Nancy Giles. Photo by Jim Moore.
February starts off with a theatrical bang this weekend as not one, but two shows will have their world premieres on downtown stages.
The first is Nancy Giles’ autobiographical show, The Further Adventures Of The Accidental Pundette, at Dixon Place. You might recognize Ms. Giles from her appearances on CBS News Sunday Morning where she has voiced her opinions on everything from politics and pop culture to the conspiracy of high heels for the past ten years (she was also part of the ensemble cast of the critically acclaimed TV series China Beach). But that is just her day job. Ms. Giles has been a downtown theater fixture for years, honing her craft at Dixon Place and other experimental spaces.
86 year old Judith Malina and the Living Theatre will be moving out of their home on Clinton Street next month, but not before putting on one last show for us. Their latest production, Here We Are opens tonight and will run through February. It promises to stay true to the spirit of non-violent, anarchist/experimental theater they have been producing for over sixty years.
In the show, the international (and multi-generational) company “visits the Anarchist collectives of France, Spain and The Ukraine for the 19th and 20th centuries, and finds (them)selves transported to an immersive and participatory underground outdoor/indoor crossroads of our present moment. The ensemble and the audience work together to manufacture and perform the potential creative possibilities for a post revolutionary world of beauty and non violence.”
Body Cartography Project with Zeena Parkins will premier at this year’s American Realness Festival. Photo by Gene Pittman.
2013 is off to an incredible “art start” here on the L.E.S. with three theater festivals kicking off this week. A few blocks north, The Public Theater’s annual Under The Radar Festival (UTR), now in its ninth year, opens on Wednesday and runs through January 20th. UTR is known for its mostly international lineup of new and experimental work by ensembles, solo artists and independent writers. If you want a crash course in exciting independent theater, The Public is the place to be this week. A highlight for me is the return of the remarkable Belarus Free Theatre, a radical human rights based company devoted to resistance of the current Belarus political regime.
Pascal Rambert – photo via Abrons Arts Center.
The French Institute Alliance Française (FIAF)’s Crossing the Line 2012 festival continues this week at Abrons Arts Center with the English Language premiere of Pascal Rambert‘s Love’s End, a story of a couple facing a broken relationship. The couple in question, portrayed by Kate Moran and Obie Winner Jim Fletcher, sit in a bare room, and through separate monologues and physical movement, revisit the unraveling of the relationship. Rambert’s script has been tailored specifically for these two performers.
The Residents - From "Sam's Enchanted Evening"
We spoke with Abrons Arts Center’s Artistic Director, Jay Wegman, as he was preparing to announce his 2012 Spring Season. We discussed some of the upcoming shows and what he would like to see for Abrons in the future. Wegman has been producing some very cutting edge performances over the last few years. In 2009, The New York Times noted that Abrons “is gaining a reputation as one of the last standing locations for avant garde performance downtown.”
TLD – Tell us what you’re excited about this season.
JW – Well the spring kicks off with John Cage – who used to be a music teacher here – and it’s the 100th anniversary of his birthday so Alarm Will Sound is coming. They are based in Chicago – and Carnegie Hall is bringing them here as part of their American Maverick Series, as well as the Jack Quartet – so those are two free events for the community.
The 15th Annual New York International Fringe Festival is under way and has happily taken over many Lower East Side venues for the next two weeks. The festival touts more than 200 companies from all over the world performing for 16 days in more than 20 venues. From edgy solo shows to avant-garde musicals to fun performances for the kids, there’s something to be found for everyone.
We are glad to see programming back at the Clemente Soto Velez Center, utilizing four of their theater spaces – Teatro SEA, Teatro LATEA, CSV Flamboyan and the CSV Kabayitos. Other LES venues include Dixon Place, The Living Theater and the Bowery Poetry Club.
Ellie Covan, founder and executive director of Dixon Place, in front of their new home at 161A Chrystie St.
I stopped by Dixon Place recently to check in with founder and executive director Ellie Covan as she was preparing for the 20th Annual HOT! Festival. An exultant LGBT theatrical extravaganza, the festival runs through August 6th and features over 40 different shows.
Looking at the treasure trove of photos and old programs that cover the walls in the Dixon Place Lounge, I was reminded that the company, itself, is celebrating 25 years of championing new and experimental work in the heart of lower Manhattan. It’s clear that what started out as a small literary salon in Covan’s living room on East 1st Street has become an essential creative space for artists from all walks of life.
There is still time to catch some of the 30 different shows being presented in the fringe theater festival, FRIGID , running through the weekend at three different theaters in the East Village. The festival is unique because the selection process is part first- come, first- serve, and part lottery – and focuses on experimental and independent theater.
Your Brother at Dixon Place as part of The Public's Under The Radar Festival 2011
Dixon Place has been included as an official venue for The Public’s Under the Radar Festival this year. Now in it’s seventh season, the theater festival has quickly become known as one of the best around. The lineup includes experimental and multi-media work from local and international artists, including comedian Reggie Watts, performer Suzan-Lori Parks and companies from as far reaching as Belarus.