Earlier this week, the New Museum hosted its annual press breakfast to announce next year’s exhibition schedule and unveil several new initiatives.
 
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Chris Burden: Extreme Measures, a survey of the iconic American performance artist and sculptor, opened today at the New Museum.
It’s Gay Pride Week and Tim Miller, internationally acclaimed solo performer extraordinaire, is ready for his LES close-up.
 Courtesy New Museum, New York An artist paints in the lobby of the New Museum. Not unusual — except that this artist is Karen Finley and she is secretly engaging in “sexting” with willing participants who are sequestered in a secretive basement closet-like room, where they have been given permission to “sext” her. A fan of Finley’s, I was intrigued by the idea and decided to participate as a “sexter.” As part of the museum’s NEA 4 in Residence project, Finley’s “Sext Me if You Can” performance and installation promised to be an “erotic exchange with the artist—bound by rules of commerce” resulting in a lasting and collectible work of art. Meaning, my “sext” would become the inspiration for a one-of-a kind, limited edition Karen Finley painting.
 Sext Me If You Can Photo by Travis Chamberlain. Courtesy Karen Finley Karen Finley will ever be remembered for being one of the NEA 4—the infamous group of four solo performance artists caught up in the “culture wars” of the 90s, who came under attack by the US government for their “frank treatment of themes of gender, sexuality, subjugation, and personal trauma.” Her work? It is, beautifully, all of that and more. Her highly political and emotionally charged performances – she often smears her nude body with food to symbolize the oppression of women, have long provoked controversy and debate. A performance in which she covers herself with chocolate became fodder for the conservatives who labeled her the “Chocolate-Smeared Woman” and called her work “filth.” (Naturally she then turned this into a performance).
 IDEAS CITY FESTIVAL Courtesy of New Museum, New York. Photo: Clint Spaulding If you think ideas are a dime a dozen, then you need to check out IDEAS CITY FESTIVAL, the second installment of the New Museum’s biennial festival that “explores the future of cities around the globe with the belief that arts and culture are essential to the vitality of urban centers, making them better places to live, work, and play.” No small ideas here. But I wouldn’t expect anything less from the creative team at the New Museum whose dedication to new art and new ideas is unprecedented. The New Museum founded IDEAS CITY in 2011 as a way for hundreds of arts, education, and civic organizations to begin ongoing global discussions on the future of cities. This year’s overarching theme, Untapped Capital, focuses on resources that are under-recognized or underutilized in our cities.
 Aerial photo by Iwan Baan for the New Museum. The New Museum is out with the full lineup for its Ideas City Festival, which will take place May 1-4. The “collaborative initiative” engages a wide range of arts, educational and community organizations in a dialogue about our urban future. The festival was created in 2011. The biennial event’s theme for 2013 is “Untapped Capital.” Ideas City kicks off with a speech by Joi Ito, director of the MIT Media Lab. There will be a series of presentations and workshops featuring mayors from across the country and other thought leaders. On Saturday, 125 “artists, architects, poets, technologists, historians, community activists, entrepreneurs, and ecologists” will take part in a StreetFest along the Bowery and surrounding streets.
 Photo by Maggie Lee. Friday night the New Museum is throwing a teen party. if your kids are between the ages of 14 and 19, they’ll get to see the current exhibition – “NYC 1993: Experimental Jet Set, Trash and No Star” – for free. Then there will be a teen-led conversation about the show and that oh-so-distant era known as the 1990′s. Finally, there will be a celebration in the 7th floor sky room featuring Brooklyn-based pop-psych dance band Prince Rama. Click here for more info.
 Felix Gonzales – Torres Untitled (Couple). Photo by Tim Schreier. The New Museum opened its latest exhibition last night, NYC 1993: Experimental Jet Set, Trash and No Star, and I can’t stop thinking about it. Not because of the individual art works—although there are many interesting and compelling pieces in the show–but because of the way they work together to capture a particular time and place. 75 artists are represented in NYC 1993, which fills every nook and cranny of all five of the museum’s exhibition floors, as well as its space at 231 Bowery—a first for the museum.
 Arto Lindsay performs at the New Museum on Friday. “Anti-New Wave, No Wave, Punk Jazz, Noise Rock...” Ah, the good old days on the Lower East Side. The 1980′s: when experimental music was commonplace and groups like the Lounge Lizards, DNA and Ambitious Lovers (born of the neighborhood) could be seen playing on any given night in any given dive bar or club. If you are nostalgic for this period, are a music aficionado, or just want to hear some really cool sounds, Arto Lindsay, a member of all three of the aforementioned groups, will be performing selections from his entire career this Friday as part of the New Museum‘s “Get Weird” series. The performance is also in conjunction with the Museum’s exhibition, “Come Closer: Art Around the Bowery, 1969–1989.”
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